Маурисио Кагель: биография
- Die Umkehrung Amerikas (‘The Reversal of America’): Epic radio play
- MM 51: A piece of film music for piano
1977
- An Tasten (‘On Keys’): Piano etude
- Quatre degr?s (‘Four Stages’); sections:
- ‘Dressur’ (‘Dressage’): Percussion trio for wooden instruments
- ‘Pr?sentation’ for two
- ‘D?m?nagement’ (‘Removal’): Silent play for stage workers
- ‘Vari?t?’: Concert show for artistes and musicians
1978
- Tango alem?n for voice, violin, bandoneon, and piano
- Ex-Position; constituents:
- ‘Die Rhythmusmaschinen’ (‘The Rhythm Machines'): Action for gymnasts, drum machines, and percussionists
- ‘Chorbuch’ (‘Choir Book’) for vocal ensemble and keyboard instruments
- ‘Zehn M?rsche, um den Sieg zu verfehlen’ (‘Ten Marches to Miss the Victory’) for winds and percussion; from Der Tribun (1979)
- Die Ersch?pfung der Welt: Theatrical illusion in one act
1979
- Blue’s Blue: An ethnomusicological reconstruction for four players
- Klangw?lfe (‘Sound Wolves’) for violin and piano
- Der Tribun (‘The Tribune’): Radio play for a political orator, marching sounds and loudspeakers
- Vox Humana? Cantata for solo loudspeaker, women’s voices and orchestra
- Aus Deutschland: lieder opera
1981
- Mitternachtsst?k for voices and instruments on fragments from the diaries of Robert Schumann (1828); fourth movement added in 1986
- Finale with chamber ensemble
1982
- Rrrrrrr...
- a) A radio fantasy (with 41 pieces):
- 11 pieces for winds, double basses and percussion: ‘Raccontando’, ‘Rauschpfeifen’, ‘Rejdov?k’, ‘Register’, ‘R?jouissance’, ‘Reprisen’, ‘Reveille/Retraite’, ‘Rhapsodie’, ‘Rheinl?nder’, ‘Ritornell 1’, ‘Ritornell 2’
- Seven pieces for mixed choir (piano ad lib): ‘Rrrrrrr...’, ‘Requiem’, ‘Resurrexit dominus’, ‘R?verie’, ‘Rex tremendae’, ‘Romance’, ‘Ring Shouts’
- Eight pieces for organ: ‘R?ga’, ‘Rauschpfeifen’, ‘Repercussa’, ‘Ragtime-Waltz’, ‘Ronde?a’, ‘Ripieno’, ‘Rosalie’, ‘Rossignols enrhum?s
- Six pieces for two percussionists: ‘Railroad Drama’, ‘Ranz des vaches’, ‘Rigaudon’, ‘Rim Shots & Co.’, ‘Ruf’, ‘Rutscher’
- Four pieces for solo voice with piano accompaniment: ‘Railroad Song’, ‘Rappresentatione sacra’, ‘Revolution Speech’, ‘Rural Blue’
- Five pieces for jazz ensemble: ‘Rackett’, ‘Rrrrrrre-bop’, ‘Reeds’, ‘Rhythm-Bone & Brush’, ‘Riff’
- b) Radio play on ‘A radio fantasy’ for one speaker (1982)
- F?rst Igor, Strawinsky (‘Prince Igor, Stravinsky’) for bass voice and instruments
- Fragen: H?rspot (‘Questions: Listening Slot’)
- Szenario for strings and tape
1983
- Intermezzo for voices and chamber ensemble
- La trahison orale (‘Oral treason’): A musical epic on the devil; radiophonic version 1987
- Two Ballads by Guillaume de Machaut; instrumental realization by Mauricio Kagel
1984
- Der Eid des Hippokrates (‘Hippocrates’ Oath’) for piano three-hands
- ...nach einer Lekt?re von Orwell (‘...upon Reading Orwell’): Radio play in Germanic meta-language
1985
- Pan for piccolo and string quartet
- Saint Bach’s Passion for solo voices, choirs and large orchestra
- C?cilia: Ausgepl?ndert, ein Besuch bei der Heiligen (‘Cecilia: looted, Visit at the Saint’); Radio play
- Trio in Three Movements for violin, violoncello and piano
- Mio caro Luciano: Tape collage
1986
- Aus dem Nachla? (‘From the Estate’): Pieces for viola, violoncello, and double bass
- Ein Brief (‘A Letter’): Concert scene for mezzo and orchestra
- Old/New: Study for solo trumpet
1987
- Ce-A-Ge-E for piano and harmonizer
- For Us: ‘Happy Birthday to You’; a) for four violoncellos; b) arranged for picc (doubling alto fl), cl, vla, db, mandoline, gt, hp, perc (1990)
- Third String Quartet in four movements
- Tantz-Schul: Ballet d’action; also version as Suite for Orchestra
1988
- Quodlibet for female voice and orchestra on French chanson lyrics from the fifteenth century
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