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Маурісіо Кагель: биография

- 'Camera oscura' : Chromatic play for light sources and actors; part of Journal de th??tre (1960)

- Mirum for tuba


- Music for renaissance instruments for 23 players; alt. Chamber Music for Renaissance Instruments for 2-22 players


- String Quartet I / II

- 'Kommentar und Extempore' ('Commentary and Extempore' ): Monologues with gestures; part of Journal de th??tre (1960)

- 'Variaktionen' ('Vari-actions') for singers and actors; part of Journal de th??tre (1960)

- Fantasy for organ with obbligati

- Montage for various sound sources [combination of several of Kagel's instrumental compositions]; Montage ? titre de spectacle [version with theatrical works]


- Hallelujah for voices

- Der Schall ('Sound') for five players

- Privat for lonely listener

- Ornithologica multiplicata for exotic and indigenous birds


- Synchronstudie ('Study in Synchronicity') for singer, Foley artists and film projection

- Unter Strom (' Under Current ') for three players

- (H?rspiel) Ein Aufnahmezustand (1. Dosis) (' (Radio Play) A State of Recording (first dose )')


- Ludwig van: Homage by Beethoven

- Acustica: Music for experimental sound producers, loudspeakers and two to five players

- Klangwehr ('Sound Defence') for marching music corps

- Tactil for three

- Atem ('Breath') for one wind player

- Staatstheater: Scenic composition; constituents:

- 'R?pertoire': Theatrical concert piece

- 'Einspielungen' ('Recordings'): Music for loudspeakers

- 'Ensemble' for 16 voices

- 'Deb?t' for 60 voices

- 'Saison' ('Season'): Singspiel in 65 scenes

- 'Spielplan' ('Programme'): Instrumental music in action

- 'Kontra ® Danse': Ballet for non-dancers

- 'Freifahrt' ('Free Ride'): Gliding chamber music

- 'Parkett' ('Stalls'): Concert mass scenes


- (H?rspiel) Ein Aufnahmezustand (2. und 3. Dosis)

- Probe ('Rehearsal') for an improvised collective; radiophonic version 1972

- Morceau de concours for one or two trumpeters; rev. 1992

- Guten Morgen! ('Good morning!'): Radio play consisting of advertisements


- Programm: conversations with chamber music; sections:

- 'Abend' ( 'Evening') for vocal double quartet, trombone quintet, electric organ and piano

- 'Aus Zungen Stimmen' ('From Tongues Voices') for accordion quintet

- 'Charakterst?ck' ('Character Piece') for zither quartet

- 'Gegenstimmen' ('Countervoices') for mixed choir and obligatory harpsichord

- 'General Ba?' for continuing instrumental sounds

- 'Die Mutation' ('The Mutation') for men's (and / or boys ') voices and obligatory piano

-' Musi 'for plucking orchestra

- 'Recitativarie' for singing harpsichordist

- 'Siegfriedp''for violoncello

-' Unguis incarnatus est 'for piano and ... [bass instrument]

- 'Vom H?rensagen' ('Hearsay') for women's (and / or girls ') choir and obligatory harmonium

- Exotica for extra-European instruments

- Con Voce for three mute players

- Variationen ohne Fuge ('Variations without Fugue') for large orchestra on Variations and Fugue on a Theme by Handel for piano Op. 24 by Johannes Brahms (1861/62)


- 1898 for children's voices and instruments; rev. 1996

- Zwei-Mann-Orchester ('Two-Man-Orchestra') for two one-man-orchestras


- Soundtrack: A filmic radio play

- Mare nostrum: Discovery, pacification and conversion of the Mediterranean region by a tribe from Amazonia [music theatre]